How digitisation of government services could be anti democratic

I am privileged to be a trustee on three education focussed trusts in Ōtautahi Christchurch.

I wouldn't describe myself as a 'high value' trustee, there are others on each Board that do a heap more work, add a heap more value, than I do. However I make the occasional useful contribution, I hope. The three trusts have two things in common: they are each focussed on education and learning in some way, shape, or form, and each of them is working to address the issue of the digital divide that we have in Aotearoa New Zealand, the gap that exists between that 'haves' and the 'have nots' in terms of access to the online digital world. Each trust engages in different mahi but with this same end in mind. You wouldn't be surprised then to read me say that I too think that digital equity is important. Access to the online digital world is empowering, liberating, humanising, and wealth creating. These are benefits that we ALL ought to be able to hold as a right, regardless of birth, race, culture, or geographical location.

You have most probably seen this image many times, reflecting how I too see this world.

This is all background to last week's thinking, having just read a piece in The Listener (August 24-30 2024) titled  'Citizen Drain'. The piece was about funding for Citizens' Advice Bureaus around the motu, but it was the part about digital access that really 'spun my wheels' (in a very negative way). In recent years I have been one of those confronting the increasing digitisation of government services, but from my relatively privileged position as as someone used to this environment, and someone with the resources to continue to own the technology to access those services in that way. I confess to having been sheltered to some degree from the impact of this strategy on those less privileged than me. This part in particular is of interest:

I've copied the article in its entirety at the bottom of this post (noting that there is no intention to contravene the copyright of The Listener in any way, and in fact if you don't have a subscription I heartily recommend taking one out).

I have to confess that despite my relative privilege with regards to digital access, I have experienced my own moments of frustration and disempowerment when attempting access to some of those government services.

Couple this with the latest cost cutting measures that see finding for support for digital learning in schools, and this could look something like a perfect storm. Here is a link to some thinking from Derek Wenmoth from June 2024.

In my opinion, this stacks up as an incredibly anti-democratic thing. Forcing the population to access government services digitally, and then attacking the means by which that population is able to grow the skills, and the software/hardware capability, to access those services, is surely about as disempowering as it gets (trumped .. no pun intended.. only by such things as attacks on women's' reproductive rights, or LGBTQ rights, or suggestions of 'stolen elections' ... etc).

I'd always thought it was the role of government to protect the population, to enable people to live good fulfilling lives in safety. In my book, that has to include access to the full range of government services.

This all means that the work of these three trusts, and the many others in Aotearoa New Zealand that work hard every day to support the disadvantaged, is doubly important. The fact that these are charitable trusts means that they often receive very little government funding, and currently most probably even less. The future is looking shaky not only for the trusts, but for the people whom they attempt to serve.

https://natlib.govt.nz/records/22703273

We must double down in our efforts to support digital equity for the people mof Aotearoa New Zealand.

Here is the Listener article in full.

Maybe creative schools coud lead to creative cities?

I'm currently back in 'work harness' as Acting Tumuaki at Darfield High School, covering sabbatical leave for  awesome Tumuaki Andy England. One of many things that has struck me about the kura (all positive, I hasten to add) is the clear rich arts tradition. I enjoyed their bi-ennial major production last week (Little Shop of Horrors) and as I walk around, the visual arts tradition is equally clear. Some of the work has been made by the members of the community, but equally some has been made by students.

Referring back to some of my thinking previously about creative cities, similarly you can create a 'creative vibe' in a school. In that school environment it is of course much easier - it is smaller, and there is much more direct control of the environment. It does however still take deliberate and intentional acts if it is to happen. In the school context it takes inspirational teachers too, and... it takes inspirational teachers who feel empowered to act, to do, to support, to nuture, and feed, student creativity, and to be creative themselves. It requires courageous leadership that is single minded in its focus. It takes leadership that empowers teachers and learners (you'd hope all teachers are learners, of course) to engage their creativity, to feed it, whether in the art room or the science lab, the social studies room or on the footie field.

And lots of schools like this in and around a city must surely mean that the life of the city itself is impacted. Most schools have lots of art work around, that's not unique. How about we show it off more, how about we talk about it more, how about we showcase it more, how about we celebrate it more? 

There is a problem there though.. wherever we are, wherever we live, wherever we work or play, it is easy to stop noticing these things in our environment. The secret is to open our eyes every day at the wonder that is all around, to see a new every single day those things that we have seen every other day.

We have to lift our view, open our eyes, and sit and stare for a while, we need to dare to daydream, all of us, school students included.

Sounds a little 'Pollyanna'ish' I guess, but it works.

Library entrance foyer

Library mural

A piece of outdoor art

The entrance foyer to the kura

Some outstanding Level 1 (Year 11) art work on display behind the reception desk

Maybe more creative schools in and arounbd a city could indeed lead to more creative cities. It doesn't exactly sound like rocket science, does it. I haven't been here long enough to have too much of an insight into things in this regard, and won't be here long enough - it's only a term. But .. e hika mā.. what a delightful leg in life's journey so far.

Creativity somewhere along the space/time continuum?

I'm not saying memories are always completely accurate, eh. I guess they could more correctly be described as a scattering of crumbs and the readings and interpretations we place on events at the time, and in the space of time that has passed since. However I do have memories of being in school. And amongst those memories (which are often far from positive) is being told on numerous occasions 'Sutton, stop daydreaming and get on with your work'. Did that actually happen? In my head it did, and also in my stock of memories from my professional life is recollection of seeing and hearing teachers say much the same thing to students.

We seem to be taught at an early age that busyness is equated with productivity, and that if we sit idly we are wasting our time. One of the many things I am grateful for from my upbringing is that I had parents who did not peddle that message of busyness. As growing boys we were allowed to sit, to lounge, to daydream.

https://commons.wikimedia.org/wiki/File:The_Thinker,_Auguste_Rodin.jpg

In my professional life I came to increasingly enjoy wandering through the visual arts spaces where I would see students sitting, in silence, staring up to the heavens, the long eyed stare. Yes they were daydreaming. Was that a bad thing? I  don't think so. Even if they were not thinking about the task in front of them, they were engaged with their internal selves, they were listening to their internal dialogue, feeling and being alone. That process needs space and time. In this age of 'always on' in which devices and social media mean that we crave connectedness within the false construct of 'social media friends', it is surely never a bad thing to sit alone, with oursleves, for a while?

So what? Having returned to work full time for a term, I've been reminded of something very fundamental about creativity: if it is to truly prosper, it needs time and space. It's not a 'space time continuum', it's not a trade off, an either/or in which you position yourself somewhere along the line. In my temporary return to this full time work status I find I have far less time to dream and invent, and to write poetry. My output is stalled (those who bother to read it might well claim that this is not a bad thing .. Douglas Adams' description of Vogon poetry might well be apt here). I'm not saying that it has stopped the creative process. But it gets in the way.

If we go with the notion that creativity is an implicit part of being human, I wonder if it is too long a draw of the bow to suggest that solitude, the need for space and time, is part of being human? Does it nurture our humanity in the same way that it nurtures creativity?

And what then do we take from the latest prognostications from on high suggesting that the arts and music can take a back seat in our schools? What interpretations are we left with?

It feels a lot like 'what could the common people possibly need creativity for, they don't need to make any sort of connection with their humanity?'. And if going hand in hand with creativity is this notion of curiosity, is this seen as a threat to political control of a population? After all, a curious population is one less likely to bend to political manipulation and control, isn't it?

Maybe I'm too readily buying into some sort of Marxist class war conspiracy. Maybe our politicians are simply uninformed, maybe they are spouting their own political dogma in their political echo chamber. Whatever the reason, our world will be the poorer for it.

Give me the dreamers any day.

Here is a link to a nice collation of some thoughts on 'aloneness and creativity'. 

Creativity needs both time and space if it is to flourish. It doesn't exist along a space/time continuum, as that suggetss it is almsot binary in nature. Rather than an either/or, it is surely an and/and? I'll try to find more time to just sit and daydream.